Woodblocks
Woodblocks Jim Shaw, Catherine Opie, John Baldessari
2014
Galerie Praz-Delavallade
Al Capone
2014
woodblock print. soot ink on paper made
from redwood in red wood block frame
38 1/2 x 26 x 2 inches
Andrea Fraser
2014
woodblock print. raw sienna and zinc ink on paper made
from douglas fir wood in douglas fir wood block frame
64 7/8 x 40 1/2 x 2 1/2 inches
Woodblocks
2014
Galerie Praz-Delavallade
James Welling
2014
woodblock print. cochineal ink on paper
made from spruce wood in spruce wood blockframe
64 7/8 x 40 1/2 x 2 1/2 inches
Walt Disney
2014
woodblock print. luberon orange ocher and ambrogio
yellow earth ink on paper made from cedarwood in cedar wood block frame
64 7/8 x 40 1/2 x 2 1/2 inches
“The nature of woodblock printing being a process of cutting, leaving impressions and printing what remains, led Brandt to think about those who left impressions on him, resulting in a series of works representing the fingerprints of influential artists like John Baldessari, Morgan Fisher, Robert Polidori, Jim Shaw, Marnie Weber or James Welling. Their fingerprint lines were enlarged and hand carved onto the grain of wood panels of local California cedar, redwood, pine, spruce and fir. After being carved, these wooden fingerprints are then applied with natural inks made from insects, plants, or minerals. They are then printed onto sheets of paper that were handmade from the same wood. After one print is made, the woodblock is cut up and used to build a frame for the print.”
—Praz Delavallade Gallery, Press Release, Matthew Brandt: Woodblocks, 2014
https://www.praz-delavallade.com/exhibition/matthew-brandt-2014